To the Right Honourable William, Earl of Dartmouth

  1. 250th Gallery
  2. To the Right Honourable William, Earl of Dartmouth

Phillis Wheatley Peters’s poem “To the Right Honourable William, Earl of Dartmouth, His Majesty’s Principal Secretary of State for North-America, &c.” was published in her collection Poems on Various Subjects, Religious and Moral in 1773.

In this poem, Wheatley Peters addresses the newly elected secretary of state with a hope that he will prove less tyrannical than his predecessor. Under Lord Dartmouth’s new leadership, she writes, no more will America “dread the iron chain / Which wanton Tyranny with lawless hand / Had made, and with it meant t’ enslave the land.” Wheatley Peters goes on to assert her own authority to speak on matters of enslavement as she herself was “snatch’d from Afric’s fancy’d happy seat.” She expresses her hope that “Others may never feel tyrannic sway,” directly linking her own enslavement with British governance of the North American colonies.

As these quotations suggest, “To the Right Honourable William, Earl of Dartmouth” is a powerful poem, one that offers the perspective of an enslaved worker on the relationship between Great Britain and its colonies in North America during the years immediately prior to the Declaration of Independence. Wheatley Peters herself is a remarkable author, often cited as the first African-American woman to publish a volume of poetry. She was born free in Western Africa and was kidnapped as a child and brought to Boston by enslavers. In Boston, John Wheatley purchased her to be an enslaved domestic for his wife, and gave her the name Phillis Wheatley. We do not know the name she was born with. During her time in the Wheatley household, she learned to read and write, and her skills as a scholar and poet became clear. Her poetry, including the piece selected for this gallery, circulated informally and her reputation as a poet grew. The publication of her collection Poems on Various Subjects, Religious and Moral in London in 1773 secured her place as one of the most prominent poets of her day, and an important voice in the antislavery movement.

Poems on Various Subjects, Religious and Moral has been edited and published by the Women Writers Project in the Women Writers Online collection. As of fall 2026, WWO contains more than 480 texts written, translated by, or attributed to women, first published in print and in English between 1526 and 1850. By bringing a diverse collection of women’s voices together, the WWP seeks to make works by authors such as Wheatley Peters accessible to a wide audience of teachers, students, scholars, and the general reader.

Note: This introduction is necessarily brief, but Phillis Wheatley Peters’s full biography is well worth reading. For more on her life and the impacts she had on American literature and history, see “Tracing the Life of Phillis Wheatley Peters” by Jay Moschella and “Phillis Wheatley” by Sondra A. O’Neale.

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Hail, happy day, when, smiling like the morn,
Fair Freedom rose New-England to adorn:
The northern clime beneath her genial ray,
Dartmouth, congratulates thy blissful sway:
Elate with hope her race no longer mourns,
Each soul expands, each grateful bosom burns,
While in thine hand with pleasure we behold
The silken reins, and Freedom’s charms unfold.
Long lost to realms beneath the northern skies
She shines supreme, while hated faction dies:
Soon as appear’d the Goddess long desir’d,
Sick at the view, she languish’d and expir’d;
Thus from the splendors of the morning light
The owl in sadness seeks the caves of night.

No more, America, in mournful strain
Of wrongs, and grievance unredress’d complain,
No longer shall thou dread the iron chain,
Which wanton Tyranny with lawless hand
Had made, and with it meant t’ enslave the land.

Should you, my lord, while you peruse my song,
Wonder from whence my love of Freedom sprung,
Whence flow these wishes for the common good,
By feeling hearts alone best understood,
I, young in life, by seeming cruel fate
Was snatch’d from Afric’s fancy’d happy seat:
What pangs excruciating must molest,
What sorrows labour in my parent’s breast?
Steel’d was that soul and by no misery mov’d
That from a father seiz’d his babe belov’d:
Such, such my case. And can I then but pray
Others may never feel tyrannic sway?

For favours past, great Sir, our thanks are due,
And thee we ask thy favours to renew,
Since in thy pow’r, as in thy will before,
To sooth the griefs, which thou did’st once deplore.
May heav’nly grace the sacred sanction give
To all thy works, and thou for ever live
Not only on the wings of fleeting Fame,
Though praise immortal crowns the patriot’s name,
But to conduct to heav’ns refulgent fane,
May fiery coursers sweep th’ ethereal plain,
And bear thee upwards to that blest abode,
Where, like the prophet, thou shalt find thy God.

Institution(s):

The WWP was founded at Brown University in 1988 and moved to Northeastern in 2013. Funding from the National Endowment for the Humanities supported the WWP’s work on this document. The WWP has received generous support from the NEH, the Andrew W. Mellon Foundation, and the Gladys Krieble Delmas Foundation.

Editor(s):

Julia Flanders and Sarah Connell

Source Note

The Women Writers Project’s edition was transcribed and encoded from a facsimile of a copy held at the University of Illinois, Urbana-Champaign, call number x811 W56p. Poems on Various Subjects, Religious and Moral was published in London in 1773. The title page reads: “London: Printed for A. Bell, Bookseller, Aldgate; and sold by Messrs. Cox and Berry, King-Street, Boston.”

Editorial Process & Document History

This document was encoded in the WWP’s customization of the Text Encoding Initiative markup language and is published on the Women Writers Online interface. TEI markup allows the WWP to formalize a wide range of features, including document structures, named entities, the appearance and condition of the source texts, rhetorical and linguistic features, and the project’s editorial interventions. Transcription and encoding work on Poems on Various Subjects, Religious and Moral began in August 2000 and the text was published to WWO in August 2005.

For more on the WWP’s editing and encoding practices, see the project’s editorial declaration, internal documentation, and schema customization statement.

Additional Details

Reviews of Wheatley’s Poems are available in the WWP’s open-access Women Writers in Review collection.

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